Home A. Scott Galloway Reviews That Time When Wynton Marsalis Made the Splashiest Debut in Jazz and…

That Time When Wynton Marsalis Made the Splashiest Debut in Jazz and…

chris brown

Wynton Marsalis

Wynton Marsalis – Wynton Marsalis (Columbia – 1982)

by A. Scott Galloway (Special to RadioFacts)

“Technique comes from practice and discipline, but quality comes from understanding. That’s what I want my music to have. The quality of understanding and individuality that makes so great. It’s a long-term challenge.”

The album opens like a ticking time bomb rolling straight into an avalanche – an explosion of rhythm, and rise and fall dynamics heralding the debut of a musician from whom THIS is but one of a hailstorm of missives to come. The composition: “Father Time.” The composer: Wynton Marsalis. The performance – thrown down by the trumpeter’s Promethean quintet consisting of older brother Branford Marsalis on tenor sax, on piano, Charles Seay on upright bass and Jeff “Tain” Watts manhandling the drums – christening what is likely the most lavish launch of an instrumentalist in jazz music ever.

It starts with the album cover, a Black & White profile of a suited, bespectacled and handsome Marsalis with horn in hand, eyes closed and contemplating what his next note should and will be. The moment capture, shot by William Coupon, telegraphs the intention that the jazz within is emanating from a thinking man’s perspective. A man of intelligence, taste, confidence, class…and tradition. Note the tie, pocket handkerchief and watch. This man means serious business. A sticker on first pressings boasted all-bases-covered quotes from Down Beat Magazine, People Magazine, Leonard Feather of the Los Angeles Times…and jazz bass godfather proclaiming Wynton as, “An incredible player.”

Pages: First | 1 | 2 | 3 | ... | Next → | Last | Single Page



Motivational Podcast by RFFocus.org CEO Kevin Ross - More Episodes HERE

A. Scott Galloway is a Music Journalist based in Los Angeles with background as a drummer and in radio and music retail. His specialty niche is writing liner note essays for reissues and anthologies of music by Classic Soul artists for which he has composed over 300 projects. He recently wrote the Foreword for the coffee table book "Invitation to Openness: The Jazz & Soul Photography of Les McCann."

Leave a Reply